The sweeping melodies and lush accompaniments are again handled with the utmost attention to detail by Janowski and the OSR. While elements of Franck's teaching are quite clear, so too are the influences of Wagner and Debussy. It was first performed on 18 April 1891 at a concert of the Socit Nationale de Musique conducted by the composer. 20, his only symphony, was written in 1890 and is often considered his masterpiece. The orchestra is playing very well and conducted thrillingly by Jean Fournet. Which is such a pity because the performance is great. Chausson's handling of the orchestra seems much more deft and natural. Ernest Chausson 's Symphony in B-flat major, Op. Careless work of the editor Besides that the sound of the recording is far too dense, there are two bars missing in the recording, namely the 7th and 8th bar after C in the third movement of Chausson's Symphony. While the better-known Franck symphony receives top billing on this album, Ernest Chausson's Symphony in B flat is a shining example of a student surpassing his teacher. The cyclical Finale is still able of maintaining the listeners interest by never losing momentum and making clear the return of motives and themes from the previous two movements. Chausson lingers on G/ F, introducing it early (at A+3) and then interpreting it in a variety of harmonies. The second-movement Allegretto is quite graceful with admirable consideration of dynamics. The fateful three-note motive, presented in all its permutations of augmentation and diminution, is kept interesting and is highlighted even when it may otherwise be obscured by other material. Fortunately, the Orchestre de la Suisse Romande under the direction of Marek Janowski does not fall into this trap. Its highly repetitive nature sets the trap for what could be a boring, monotonous performance if not executed with a great deal of forward-moving energy and attention to nuance. The Franck D minor Symphony can be a treacherous undertaking for almost any orchestra.
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